We are continuing our conversation with Ciara Cremin about capitalism and what she refers to as the masculine disorder. We explore the relationship between far-right authoritarianism and masculinity, as well as the ways in which masculinity dominates leftist spaces. Upon that reflection we discuss what it would look like to collectively reject masculinity, and what our future might look like if we all reconciled as a society with the feminine.
Ciara Cremin’s work draws on Marxist, psychoanalytic and critical theory perspectives to diagnose the human condition in capitalism today. In part one of this episode, we delve into the values, behaviors and aesthetic choices typically associated with masculinity and how these standards reproduce cycles of violence, the ways in which masculinity can be interpreted as a psychological disorder, how capitalism caters to masculinity, and much more.
This is the first play anthology to offer eight new plays by trans playwrights featuring trans characters. It establishes a canon of contemporary American trans theatre which represents a variety of performance modes and genres. In part two of this episode, we talked to anthology editors Lindsey Mantoan, Angela Farr Schiller and Leanna Keyes about the importance of studying the work of trans artists, trans theatre is a form of activism, and what the editors hoped to achieve with this collection.
After a breathtaking episode on Othello last season, Ayanna Thompson is back to talk about her book, Blackface, which is part of our Object Lessons series. In this episode, we discuss the events that drove Ayanna to write this book, the history of Blackface up to the 21st century, how media weaponizes the notion of white innocence in contemporary examples of Blackface, and much more.
We are continuing our conversation with Vanessa R. Sasson, Professor of Religious Studies in the Liberal and Creative Arts Department of Marianopolis College, Canada and author of Yasodhara and the Buddha. In part two this episode, we delve into a narrative about Yasodhara’s expansive life, and why her story feels deeply human and relatable today.
Vanessa R. Sasson is Professor of Religious Studies in the Liberal and Creative Arts Department of Marianopolis College, Canada and the author of Yasodhara and the Buddha, which we discuss in this episode. For those who do not know Yasodhara, this largely forgotten woman was once married to the Buddha. In part one of this episode, we discuss Yasodhara’s rich, intricate story, as well as the research process behind the book. We also delve into why Vanessa felt compelled to write this book as a “western woman” and how that position affects the context of her modern storytelling.
This is part two of our episode on The War on Disabled People. We are continuing our conversation with Ellen Clifford, a disabled activist who has worked within the disability sector for over twenty years and is a current member of the National Steering Group for Disabled People Against Cuts. In this episode, Ellen unpacks the ways in which people with disabilities are made to feel invisible, how austerity reversed progress for disability rights, the future of disability rights and how to break the cycle of inaccessibility, and much more. Take a listen.
In 2016, a United Nations report found the UK government responsible for ‘grave and systematic violations’ of disabled people’s rights. Ellen Clifford, a disabled activist, has been at the heart of the resistance against the war on disabled people for over twenty years.
In part one of this episode, we’ll unpack the history surrounding the war on disabled people; the relationship between disability and capitalism, and how covid-19 has exacerbated the violent conditions of the austerity state.
As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. In part two of this episode, we discuss Sekou’s now finished exhibit at the MoMA, how the transformation of public spaces has been used to displace marginalized communities, architecture’s response to social justice movements like Black Lives Matter, Sekou’s ultimate “desert island” hip-hop track, and much more.
As architecture grapples with its own racist legacy, Hip-Hop Architecture outlines a powerful new manifesto-the voice of the underrepresented, marginalized, and voiceless within the discipline. In part one of this episode, we discuss the production of spaces, buildings, and urban environments that embody the creative energies in hip-hop, as well as the expanding design philosophy which which uses hip-hop as a lens through which to provoke new architectural ideas.